The Ithra Art Prize: Celebrating Arab Talent and Artistic Evolution
The 7th edition of the Ithra Art Prize has recently commenced its call for submissions, inviting contemporary artists of Arab heritage or residency to contribute their work. With the stakes raised to a grand prize of USD 100,000, alongside new production grants available for five finalists, this year marks a pivotal moment in the Prize’s history. Set against the backdrop of Ithra in Dhahran, the initiative is poised to further its influence and engagement within the contemporary art landscape, culminating in an exhibition scheduled for spring 2026. To gain further insights into the developments surrounding the Prize, we had the opportunity to speak with Farah Abushullaih (FA), the Head of Ithra’s Museum, who shared her perspectives on this evolving chapter.
Since its inception in 2017, the Ithra Art Prize has undergone a remarkable transformation. Initially launched as a single-commission award, it has blossomed into a robust platform dedicated to fostering artistic innovation throughout the Arab world. Abushullaih notes how previous winners have successfully showcased their works on both local and international stages, with exhibitions held at prestigious venues such as Art Dubai, the Diriyah Contemporary Art Biennale, and even the iconic State Hermitage Museum in Russia. The 2025 edition of the Prize will not only expand its reach but also embrace a biennial format. This change signifies a greater commitment to facilitating a deeper dialogue within the arts community, encouraging experimentation and ensuring that the impact of the Prize resonates over time.
Bringing the exhibition back to its roots in Dhahran is not merely a logistical decision; it is a profound acknowledgment of the local community’s integral role in the Prize’s narrative. As Abushullaih articulates, “The Ithra Art Prize was born in Dhahran, so bringing the exhibition home feels both natural and important.” This homecoming will allow audiences to engage more intimately with the works displayed, effectively bridging the gap between the artists and the community that has supported the Prize from its inception.
A noteworthy development in this year’s Prize is the decision to accept both new commissions and re-contextualized existing works. This dual approach recognizes the dynamic nature of art and the myriad influences that shape an artist’s creative journey. As Abushullaih explains, “We believe great art evolves over time. By welcoming both new and reimagined works, we give artists the flexibility to build on past ideas or introduce fresh concepts.” This flexibility not only enriches the exhibition but also reflects the multifaceted reality of artistic expression in today’s world.
The selection process for submissions is rigorous, with a jury focused on identifying proposals that are not only aesthetically appealing but also conceptually profound. The jury seeks authenticity, conceptual rigor, and a clear connection to the artist’s lived experiences. There is an emphasis on engaging the audience through dialogue and offering new perspectives that stimulate conversation. “Proposals should be clear in both concept and execution,” Abushullaih advises, highlighting the expectation for artists to articulate how their ideas will be translated into fully realized installations.
Abushullaih herself has been a significant force behind the forward momentum of the arts within Saudi Arabia. With an academic background in Museum Anthropology from Columbia University and International Business and Intercultural Communications from Aston University, her expertise is complemented by hands-on experience. Since joining Ithra in 2012 and becoming the Assistant Curator in 2014, her efforts have brought essential global art narratives to the Kingdom. Notably, she was instrumental in introducing the works of iconic artists, like Edvard Munch and Leonardo da Vinci, to Saudi audiences for the first time. Her trailblazing initiative included the introduction of immersive art exhibitions, which have successfully sparked discussions around pertinent topics such as sustainability.
In summary, the 7th edition of the Ithra Art Prize not only celebrates the brilliance of contemporary Arab artists but also represents a commitment to cultivating a thriving artistic community and nurturing dialogue around cultural narratives. As this initiative continues to evolve, it will undoubtedly remain a beacon of innovation and a catalyst for artistic expression in the region.
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